He worked for United Artists for a while and as director for Sam Goldwin. Stage musicals were to lead to film musicals when Irving Berlin persuaded him to go to Hollywood, and thus Newman found himself working in Hollywood as a conductor in the 30s, during the early days of the talkies. At this time he contributed the occasional song to musicals, and other compositions included his adaptation of some of Chopin's Nocturnes for Ballet. He also conducted Rogers & Hart's "Spring is Here" and "Heads Up", and Jerome Kern's "Criss Cross" among many other works for the stage. By the time he was 20, Newman had struck up a friendship with George Gershwin and this relationship later led to his conducting some of George and Ira Gershwin's musicals including "Treasure Girl" and "Funny Face". The vaudeville act went on tour, leading to further work for the talented pianist at the Harlem Opera House and on Broadway. The novelty of a young teenager accompanist, meant that Newman was part of the act and frequently dressed in costume for the part. There he also played in theatres and restaurants before getting a job as an accompanist to Grace La Rue in her vaudeville act. He earned some money from recitals and was able to continue his musical education in New York supported by a scholarship and a kind teacher who taught him piano and harmony. He played the former's Moonlight Sonata and Fur Elise at a concert at a very young age, and seems never to have looked back. His musical talents blossomed and he seemd to develop a particular fondness for Beethoven and Chopin. He was the eldest of 10 children and his family were poor, but his interest in music was recognised at an early age and, on a shoe-string budget he received his first piano lessons, walking a round trip of 10 miles every day to practice on an instrument belonging to a friend of his mother's. The story of Alfred Newman starts from humble beginnings. Alfred Newman (1901-1970) - head of a musical dynasty
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